Showing posts with label Daniel Sackheim. Show all posts
Showing posts with label Daniel Sackheim. Show all posts

10 October 2014

October 10th

When a Stranger Calls (1979) directed by Fred Walton
"We've traced the call and it's coming from inside the house!" A classic climax to an urban legend. But, how do you make that into an entire 90 minute movie? Well, Fred Walton and company turned it into a cat and mouse chase between the insane caller and a former cop. Somehow, it works.

What elevates this film above others of the same type are the performances. Charles Durning isn't given a lot of background for his character -- he's a private detective and a former cop and that's about it -- but he infuses his character with subdued rage and a burning desire to catch the child-killing madman. The character of Tracy, who seems at first to be either incidental to the story or a likely murder victim, is given life by veteran actress Colleen Dewhurt. Tracy is hardened, but not entirely heartless, and wears a permanent look of weariness in her eyes. She's fascinating to watch. Tom Beckley, as the madman, is made to be oddly sympathetic as he aimlessly walks the streets of L.A. looking much like a kicked puppy. It's one of the most real portrayals of a psycho killer I've seen, particularly in a horror movie from this era. Director Fred Walton ties these performance together with some wonderful cinematography and expertly paced tension.

I wish I'd taken the hint from the very first clip shown in Terror in the Aisles and watched this one long ago.



The Walking Dead 4.03: "Isolation" (2013) directed by Daniel Sackheim
It's always the little, stupid things that bother me about this show. I can easily buy zombies. That's fun. I can't buy a real, medical doctor being such a dipshit, even if he is sick, that he would fail to cover his cough and spray diseased blood all over an old man's face. What the hell? My 4-year-old knows better than that. If the writers wanted to show how much Hershel was risking, surely they could've thought of something a little better?


The Walking Dead 4.04: "Indifference" (2013) directed by Tricia Brock
Yay, a road trip episode! The prison setting is so dull, it's nice to get out and see the worn world outside. No comment on the lack of abandoned cars blocking the roads, the mysteriously mowed lawns, and the dustless/spider web-less houses. A show can only do so much.

I also cannot express how little I care about Bob the alcoholic's alcoholism and the supposed drama that it creates. It's hard to think of a more cliched, "very special episode" character flaw. Let the dude drink. It's the end of the world.


Tales from the Crypt 6.05: "Revenge is the Nuts" (1994) directed by Jonas McCord
One of the lesser Tales episodes. A man running a home for the blind treats his residents cruelly and gets his just desserts. Isaac Hayes is in this one, but even he doesn't make things particularly fun outside of a lame Shaft joke.


Legendary Encounters: An Alien Deck Building Game (2014) designed by Ben Cichoski & Danny Mandel
Board game night again. In addition to playing Dead of Winter again (I won!), we also tried out the new deck building game based on the Alien movies. We've already played its cousin, Legendary: A Marvel Deck Building Game and that one is pretty fun. In these deck building games, you start with a hand of weak cards and use their printed currencies to either buy strong cards from a shared pool or attack bad guys. As the game goes on, you'll start to get better and better hands as you buy more and more cards for you deck.

Alien turned out to be far, far harder than Marvel. We were thoroughly stomped by the bugs in the two games we played. We chose to play the scenario that mirrors the first movie, which meant recruiting Ripley, Dallas, Parker, and Lambert cards from the pool to fight the aliens and complete the three movie-related objectives. Unlike Marvel, you each play a character in Alien who has a set amount of health (I chose the synthetic). As aliens escape into the board's combat zone, they cause you to draw strike cards. Strike cards have gory artwork of various alien attacks (a tail through your middle, an acid burn, etc) and wear down on your character's health very fast. While there are ways to heal yourself (or others), those opportunities were rare. The aliens easily killed all three of us playing in both games from these attacks. 

Brutal game. We may play a variant next time that has fewer gotcha cards mixed into the bad guy deck and see how this goes.

07 October 2013

October 7th

Man from Deep River (1972) directed by Umberto Lenzi
This Halloween, I decided I'd catch up on the most famous of the Italian cannibal movies.  I've never seen any of these things, though I'm certainly aware of the lore of Cannibal Holocaust.  To be honest, this particular horror subgenre doesn't really interest me all that much, but, hey, there's a hole in my horror education and I really should fill it.

Man from Deep River is always mentioned as the start of this subgenre, but it is not a cannibal movie.  It's not even a horror movie.  It tells the tell of a white guy who gets lost in the jungles of Thailand and is captured by a local tribe.  Eventually, he finds love and purpose there.

This film is more of an outgrowth of the mondo film subgenre.  It delights in showing us the shocking aspects of tribal life, most of which involve abusing animals.  Jesus, I've never seen a work of fiction with so much real animal torture in it.  We're forced to watch crocodiles and snakes chopped up alive, a mongoose forced to fight a cobra, a presumably real monkey getting its skull chopped off, cockfights, and a goat getting its throat gruesomely slit.  I'm no member of PETA and I've got no problem with hunting, but this nothing I want to see to create a fictional story.

There is one small cannibal scene in the film, which presumably was the seed that inspired the rest of the Italian cannibal film explosion.  A small group from the neighboring tribe discover a couple in the woods.  They kill the man, then proceed to rape and eat the woman.  It's disturbing, but it's really only a small section of a film that is mostly about the protagonist mooning over his native wife.  It must have been enough, though, to stick in peoples' minds so that they wanted more.

Watched: DVD from Shriek Show.


The Walking Dead 3.07: "When the Dead Come Knocking" (2012) directed by Daniel Sackheim
Mostly setup for the mid-season finale that's coming next.  Merle and the Governor torture, sort of, Glenn and Maggie to get them to reveal where Rick and company are hiding.  It's TV show torture and nothing compared to what the comic character would've done in the same situation (how cute and meta that the Governor threatens to cut off Glenn's hand!).  I suppose they wouldn't want to alienate the audience, though, what with the highest ratings of any cable show and all.

Later, Rick brings most of the group to the edge of Woodbury on a rescue mission while, at the same time the Governor sends a small group to scout out the prison.  Hopefully the dual front battle in the next episode is worth the build up.